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Perhaps the most unpredictable of these is the behaviour of conductors who come on and go off at will, rather than at the appointed moment – this results either in masses of fact cards being riffled through and ditched when a link must be more brisk than anticipated, or else pored over in detail when there is unexpected time to fill and the conductor has clearly needed to avail himself (usually a “heâ€) of the facilities,or else have a prolongedlast-minute conversation offstage with a soloist or member of the orchestra.
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