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Peter Hall’s big opening number for the Olivier – which enjoyed out-door dry-runs for passers-by when building-works pushed back the first night. Albert Finney acquitted himself well as Marlowe’s great over-reacher – who fells kingdoms but cannot defeat death – but the space was the thing; there was little sense among the critics that the vaunting ambition of the main auditorium was unmatched by the finished article. “A marvellous open space in which all eyes seem directed towards a focal point,” declared Michael Billington in the Guardian.
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