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Todd's banal evil – which actor Jesse Plemons is alarmingly good at conveying – is more frightening than the supercriminal calculations of Gus Fring, the explosiveness of Tuco Salamanca or the mute murderousness of the Cousins, because he's unable to appreciate murder's seriousness. To Todd, if you phrase something politely enough, cover up someone's eyes or leave out crucial details in a voicemail message or diner conversation, it's like it didn't happen at all. (Yet the evil still pervades that excruciatingly slow sequence: every moment the trio spends staring at their waitress, every second spent in close quarters with two urinating killers in that men's room, was pregnant with menace.)
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