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That was the problem facing Jonathan Rhys Meyers this summer in Budapest, as he filmed a new 10-part adaptation of Bram Stoker’s 1897 classic. I went to the set and everyone I spoke to agreed, in the kindest possible terms, that Rhys Meyers had something decidedly Dracula-ish about him before he’d even been measured for the fangs. When I finally sit down with him, I confess, he makes me nervous: he is skittish, intense, he rarely smiles and he has a stare that can shrivel souls.
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