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Literary 007 has had a particularly lively – if artistically uneven – existence since the death of his creator, Ian Fleming, in 1964. Even before he died, Cyril Connolly leapt in with a lethal word-perfect spoof – Bond Strikes Camp – in which the agent dons a frock to entrap a Russian spy. Conversely, 007 fan Amis, writing as Robert Markham in 1968, played it absolutely straight, with a Bond novel set in Greece involving a sadistic Chinese colonel who has a neat way with meat skewers and ears. Fleming’s literary agent Peter Janson-Smith, whom I met for lunch some years ago, thought highly of this work. “Amis could reproduce the Fleming style without making it look like parody,†he told me. “And very few could do that.â€
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The congressional office staffer emailed the minutes to a distribution list of names maintained by the congressional liaison’s office. The staffer told investigators that “he was confused about the date,†leading him to send the minutes a day early.
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