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Acclamation came almost instantly. His first collection, Death of a Naturalist, published by Faber and Faber in 1966, attracted astonishing reviews for a first collection and inspired the New Review to coin the term “Heaneyesque� to describe the sort of mud-caked verse that Heaney described as “stuff out of Co Derry from childhood�. Digging, the poem that opened the collection, became one of his best-known works and was a remarkable statement of his ambition. In it he celebrated his father’s and grandfather’s expertise with a spade before observing that “I’ve no spade to follow men like them./ Between my finger and thumb/ The squat pen rests./ I’ll dig with that.�
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